Chinese Hanfu Dress

Hanfu, or Han-style clothing, evolved from the dress Han Chinese wore in ancient times, and is an iconic symbol of Chinese culture. In recent years, this traditional Chinese clothing has become better known and loved internationally. In Singapore, for example, fans wear it for various cultural events. Tong Weiqiang, a Chinese living in Singapore, is an avid fan of the clothing. “I was deeply impressed by the costume in martial arts dramas produced by Hong Kong TVB Channel, and began to take a liking to traditional Chinese clothing,” he said. He was first attracted to Hanfu when he was a child. “For Singaporeans who are interested in Chinese culture and appreciate the beauty of Hanfu, the club is a venue for them to learn more about China’s cultural heritage,” he said. Now years later, Tong established a cultural club for Hanfu lovers. Lin Xiaoying, vice chairperson of a Hanfu association in Singapore, is dedicated to introducing traditional Chinese culture to overseas Chinese and people of other countries. I have been traveling around the world and organized many promotional events to display to the world the elegance of traditional Chinese clothing. “Unknowingly, I have taken Hanfu to heart. Since a young age, I have been drawn to beautiful things, such as painting and fashion. The sight inspired me to share with them the traditional costume of China,” said Lin. “It would be pitiful for me not to wear Hanfu with full confidence,” she added. “I wore Hanfu for the first time in 2012, and have since fallen in love with it,” said Wu Zengxin, a Taijiquan (or tai chi), coach in Singapore. In adulthood, I traveled extensively in my job, and noticed people in Japan and the Republic of Korea wearing traditional robes. He has since chosen this dress for all performances he gives, though it is more expensive than a generic martial arts uniform. “I am sure that I am the first in Singapore to perform Taijiquan in Hanfu. Following my example, more Taiji masters began to perform in the clothing. This is the power of cultural heritage,” said Wu. Gradually, his audience has come to realize the beauty of Hanfu. At a Hanfu festival held on November 27, 2021, participants dressed up in Hanfu apparel take pictures in front of the entrance to the Shenyang Imperial Palace. The evolution of Hanfu is a reflection of the history of Chinese culture. “Hanfu dates far back into history. Generally speaking, it refers to all the clothing of Han Chinese from the pre-Qin period (before 221 B.C.) to the Qing Dynasty (1644-1911). During the Spring and Autumn and Warring States periods (770-221 B.C.), the Han dress took on elements of those of nomadic ethnic groups, making it more suitable for equestrian activities and archery,” said Cai Danjun, associate professor of the School of Liberal Arts, Renmin University of China. Though traditional Chinese clothing was predominantly influenced by Confucian culture, it incorporated elements of other cultures and a variety of ethnic groups, she added. In late Eastern Han Dynasty, warlord Cao Cao became the de facto ruler of the country. The resentful emperor, Xiandi (181-234), wrote an edict with his blood, and hid it in a waistband to be sneaked out to his ministers, instructing them to assassinate Cao. There are many anecdotes in Chinese history involving clothing, said Cai, giving three examples. “This shows that the ritual, cultural and aesthetic standards of Chinese attire had taken shape in the pre-Qin period, and evolved in the following centuries as a result of the integration of different ethnic groups and cultures. When we delve into the history and culture behind Hanfu, we can help people in other parts of the world better understand the profound cultural meanings of this clothing,” said Cai. Many ancient books mention that the Yellow Emperor, one of the legendary Chinese sovereigns and culture heroes, invented early Chinese clothing that consisted of the upper and lower pieces – tunic and unisex skirt – representing the heaven and earth, respectively. Wu Zengxin has met people from all over the world in Singapore, and many people from Western countries showed interest in and affection toward the Hanfu he wore. Being of Chinese decent, Tong Weiqiang feels the desire to share stories of Chinese culture with more people. Together with other Hanfu fans, I have also organized regular cultural activities in local libraries, sharing with fellow Singaporeans works of Chinese literature, poetry and classical style of writing,” he said. “Hanfu conveys a profound history. “Singapore is a developed country, qipao cheongsam but society is based on a ‘grassroots culture.’ Earlier generations of Chinese migrated here looking to make a living. Many Chinese Singaporeans and Chinese living in the country want to learn more about the culture of their ancestral land. Later generations have also embraced a pragmatic way of thinking. Wu is delighted to see more young Singaporeans wearing Hanfu at scenic resorts. He believes that the attire, with its rich cultural significance, is not only a token of China’s sartorial elegance, but also a lens to peep into Chinese culture. In Lin’s view, Hanfu encapsulates the 5,000-year-old Chinese civilization and gives expression to the Chinese spirit. She finds meaningfulness and pride in carrying on this cultural heritage. To better promote Hanfu among overseas Chinese, Cai suggested establishing a Hanfu culture system that bridges the past with the present, covers both public activities and academic studies, and puts equal emphasis on sartorial patterns and traditional aesthetic theories. Therefore, much needs to be done to enhance their sense of mission to carry on their traditional culture,” said Tong. The Doctrine of the Mean says, “When wearing a fine dress of splendid colors, one should cover it with a linen overcoat.” She explained that this is because ancient Chinese valued modesty and reserve. “Hanfu has deep cultural roots,” said Cai. “How to dig into such ideas imbedded in classical attire to better combine traditional culture with modern life is an area that deserves more attention and effort of modern Chinese people,” Cai added.

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Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions. This is a list of headgear, both modern and historical. Beanie or skully and or visor beanie. Kufi, including the “Zulu crown”. Gat, qipao shirt a mesh hat worn during the Joseon period in Korea. Havalim (חֲבָליִם) ropes that are referenced in Kings I 20:31. Used as a sign of mourning. See Mask for a fuller list of masks. Migba’at was likely a cone-shaped Turban. Mitpaḥat is a scarf that is worn on the head or hair, by some married women. Some wear scarves only during prayers, and others wear them in public. Mitznefet was most likely a classic circular turban. Pe’er mentioned in Ezekiel 24: 17;23. In verse 17, Ezekiel commands the Israelites to “wrap their” Pe’ers around their heads.

The Hanfu Asian Renaissance Faire offers a unique window into the rich tapestry of Asian culture, history, and traditions. This vibrant event celebrates the resurgence of Hanfu, the traditional attire of the Han Chinese, within the context of a renaissance fair setting. With an array of activities, performances, and interactive experiences, the faire serves as a bridge between the ancient and the modern, inviting participants to step back in time and immerse themselves in the elegance and grandeur of the past. Whether you’re a history enthusiast, a fashion aficionado, or simply curious about Asian culture, the Hanfu Asian Renaissance Faire promises an unforgettable experience. This traditional attire, characterized by its flowing robes and intricate designs, has seen a revival in recent years as people seek to reconnect with their cultural heritage. The faire not only provides a platform for showcasing the beauty of Hanfu but also encourages attendees to wear it, fostering a deeper appreciation for the craftsmanship and artistry involved. By donning Hanfu, participants become part of a living history, embodying the grace and dignity of ancient Chinese civilization. At the heart of the Hanfu Asian Renaissance Faire is the Hanfu garment itself. From martial arts demonstrations to calligraphy workshops, the event immerses visitors in the multifaceted world of Asian traditions. Beyond the sartorial splendor, the Hanfu Asian Renaissance Faire offers a diverse range of activities designed to engage and educate. Traditional music and dance performances captivate audiences, while interactive exhibits allow for hands-on exploration of ancient crafts and customs. Hanfu, meaning “Han clothing,” is the traditional attire of the Han Chinese, dating back over three millennia. As the faire unfolds, it weaves a narrative that celebrates the enduring legacy of Asian culture, inviting everyone to join in the festivities and discover the timeless wisdom of the past. It is a symbol of the Han Chinese culture and identity, reflecting the aesthetics, philosophy, and social values of ancient China. Each piece is meticulously crafted, with robes that flow gracefully and intricate patterns that often carry symbolic meanings. The garment’s structure is characterized by a loose cross-collar, wide sleeves, and a sash belt, allowing for a free flow of movement while maintaining a dignified appearance. The design of Hanfu is rooted in the principles of Confucianism, emphasizing harmony, modesty, and elegance. Each era brought its own distinct styles, colors, and materials, reflecting the societal changes of the time. Throughout history, Hanfu has undergone various transformations, influenced by the different dynasties that ruled China. Despite these evolutions, the core elements of Hanfu remained consistent, serving as a testament to its enduring legacy. During the Ming Dynasty (1368-1644), Hanfu experienced a renaissance, with a renewed interest in traditional Chinese culture. This period saw a resurgence in the popularity of Hanfu, as it became a symbol of national pride and cultural identity. However, the fall of the Ming Dynasty and the rise of the Qing Dynasty (1644-1912) led to a decline in Hanfu’s prevalence, as the Manchu rulers imposed their own style of dress. Despite these historical challenges, Hanfu has persisted as a cultural emblem, embodying the rich heritage of the Han Chinese people. Its survival and revival in modern times underscore the deep-rooted connection between clothing and cultural identity, highlighting the importance of preserving traditional customs in an ever-changing world. The modern revival of Hanfu can be attributed to a growing desire among Chinese people to reconnect with their cultural roots. In the early 21st century, a movement emerged to promote Hanfu as a way to celebrate and preserve Chinese heritage. Young people, in particular, have embraced Hanfu as a form of self-expression and cultural pride. This movement gained momentum through social media, where enthusiasts showcased the beauty and versatility of Hanfu to a global audience. Many wear Hanfu for special occasions, festivals, and even in daily life, challenging the notion that traditional attire is outdated or irrelevant. The Hanfu movement has also led to the establishment of Hanfu societies and organizations worldwide, dedicated to promoting and educating people about this cultural treasure. This revival has sparked a renaissance in traditional Chinese fashion, inspiring designers to incorporate Hanfu elements into contemporary clothing. Moreover, the revival of Hanfu has been supported by the Chinese government as part of a broader effort to promote cultural heritage and soft power. These groups organize events, workshops, and exhibitions, providing platforms for enthusiasts to connect and share their passion for Hanfu. Initiatives such as cultural festivals and educational programs have increased public awareness and appreciation for Hanfu, contributing to its growing popularity. The resurgence of Hanfu reflects a broader trend of cultural revivalism, as people around the world seek to reclaim and celebrate their unique identities. The Hanfu Asian Renaissance Faire is a vibrant celebration that brings together history, culture, and community. It is an event that showcases the beauty and significance of Hanfu within the context of a renaissance fair, providing a unique platform for cultural exchange and discovery. This faire is more than just a fashion show; it is an immersive experience that transports visitors to a bygone era. By embracing Hanfu, individuals are not only preserving a vital aspect of Chinese history but also contributing to a global dialogue about the importance of cultural diversity and heritage. The event features a wide range of activities, including traditional games, crafts, and performances, all designed to educate and entertain. The Hanfu Asian Renaissance Faire aims to foster a deeper understanding of Asian culture and history. Attendees are encouraged to wear Hanfu, creating a visually stunning atmosphere that honors the past while celebrating the present. In addition to showcasing Hanfu, the faire provides a platform for other traditional Asian arts and crafts. By bringing together people from diverse backgrounds, the event promotes cross-cultural appreciation and dialogue, highlighting the universal themes of beauty, creativity, and community. Visitors can explore calligraphy, painting, and pottery, gaining insight into the rich artistic traditions that have shaped Asian culture over the centuries. These interactive exhibits offer hands-on learning opportunities, allowing participants to engage with history in a meaningful way. The Hanfu Asian Renaissance Faire is a testament to the enduring power of culture to connect and inspire. The Hanfu Asian Renaissance Faire is a bustling hub of cultural activities, each offering a unique glimpse into the traditions and customs of Asia. It invites participants to step into a world where tradition and innovation coexist, encouraging them to explore their own cultural heritage and contribute to a shared future of understanding and respect. These activities are designed to engage visitors of all ages, providing a rich tapestry of experiences that celebrate the diversity and depth of Asian culture. These games offer a fun and interactive way to learn about Chinese history and strategy, while also fostering a sense of camaraderie and competition. One of the highlights of the faire is the traditional games section, where attendees can participate in ancient Chinese games such as Go, Xiangqi (Chinese Chess), and Jianzi (shuttlecock kicking). From paper cutting and origami to embroidery and weaving, these hands-on workshops provide an opportunity to learn new skills and appreciate the artistry and craftsmanship that define these timeless traditions. The cooking demonstrations and food stalls at the faire offer a delectable journey through Asian cuisine. Visitors can sample a variety of dishes, from savory dumplings and noodles to sweet desserts and teas. Another popular attraction is the crafts area, where visitors can try their hand at traditional Asian art forms. These culinary experiences highlight the significance of food in cultural expression, inviting attendees to explore the flavors and aromas that have been cherished for generations. Martial arts demonstrations are another key feature of the faire, showcasing the discipline and skill of practitioners from various Asian martial arts. These performances not only entertain but also educate audiences about the history and philosophy behind these ancient practices, emphasizing the values of respect, honor, and perseverance. The cultural activities at the Hanfu Asian Renaissance Faire provide a vibrant and engaging platform for exploration and discovery. The Hanfu Asian Renaissance Faire is a feast for the senses, offering a diverse array of traditional performances and entertainment that captivate and inspire. These performances transport audiences to different times and places, celebrating the rich cultural heritage of Asia through music, dance, and storytelling. One of the main attractions is the traditional Chinese opera, a theatrical art form that combines music, singing, acting, and acrobatics. This mesmerizing performance showcases the intricate costumes, elaborate makeup, and expressive gestures that define this centuries-old tradition, offering audiences a glimpse into the world of ancient Chinese theater. They offer visitors a chance to connect with the past, experience the present, and envision a future where cultural diversity and understanding are celebrated. Dance performances at the faire highlight the diversity and beauty of Asian dance styles, from the graceful movements of classical Chinese dance to the energetic rhythms of Korean and Japanese folk dances. In addition to dance and opera, the faire features traditional music performances, including instrumental ensembles and soloists. The haunting melodies of the guzheng, erhu, and pipa transport listeners to a bygone era, evoking the timeless beauty and emotion of traditional Asian music. Storytelling sessions at the faire offer a captivating exploration of Asian myths, legends, and folklore. These performances are a celebration of cultural expression and creativity, inviting audiences to appreciate the artistry and elegance of each dance form. These tales, passed down through generations, provide insight into the values, beliefs, and customs of different cultures, enriching the understanding of Asia’s diverse cultural landscape. The traditional performances and entertainment at the Hanfu Asian Renaissance Faire are a celebration of cultural heritage and creativity. They offer a window into the rich artistic traditions that have shaped Asia’s history, inviting audiences to experience the beauty and wonder of these timeless art forms. The Hanfu Asian Renaissance Faire is a dynamic learning environment, offering a variety of workshops and interactive exhibits that engage and educate visitors. These activities provide hands-on experiences that deepen the understanding of traditional Asian arts, crafts, and customs. This workshop offers a unique opportunity to explore the beauty and precision of calligraphy, while also gaining insight into the cultural significance of written language in Chinese history. One of the most popular workshops at the faire is the calligraphy class, where participants can learn the art of writing Chinese characters using traditional brushes and ink. Another engaging activity is the painting workshop, where visitors can try their hand at traditional Chinese landscape painting. Guided by skilled instructors, participants can learn the techniques and styles that define this art form, creating their own masterpieces to take home as a memento of their experience. Visitors can observe demonstrations of pottery-making techniques, from wheel-throwing to glazing, and even participate in hands-on workshops to create their own pieces. The pottery and ceramics exhibit at the faire showcases the craftsmanship and artistry of traditional Asian pottery. Visitors can learn about the materials, techniques, and designs that have defined these clothing traditions, gaining a deeper appreciation for the artistry and cultural significance of traditional attire. The workshops and interactive exhibits at the Hanfu Asian Renaissance Faire provide a rich and engaging platform for exploration and discovery. They offer visitors a chance to connect with the past, experience the present, and envision a future where cultural diversity and understanding are celebrated. Interactive exhibits on traditional clothing and textiles offer a fascinating exploration of the history and evolution of Hanfu and other Asian garments. These culinary experiences highlight the significance of food in cultural expression, inviting attendees to explore the flavors and aromas that have been cherished for generations. Food and cuisine play a central role in the Hanfu Asian Renaissance Faire, offering a delicious journey through the diverse culinary traditions of Asia. These culinary delights provide a taste of the rich and diverse gastronomic heritage of Asia, inviting visitors to embark on a culinary adventure that tantalizes the senses. The food stalls and cooking demonstrations at the faire offer a wide variety of dishes, from savory dumplings and noodles to sweet desserts and teas. In addition to sampling delicious dishes, visitors can participate in cooking workshops, where they can learn to prepare traditional Asian recipes. These hands-on classes offer a unique opportunity to explore the techniques and ingredients that define Asian cuisine, while also gaining a deeper understanding of the cultural significance of food in Asian societies. Food is a powerful tool for cultural exchange and understanding, bringing people together and fostering connections across cultures. The role of food and cuisine at the Hanfu Asian Renaissance Faire extends beyond the culinary experiences themselves. By sharing a meal or learning to cook a new dish, attendees can engage with the traditions and customs of Asia in a meaningful and memorable way. These culinary adventures provide a delicious and engaging way to explore the cultural heritage of Asia, celebrating the universal themes of community, creativity, and connection. Overall, the emphasis on food and cuisine at the Hanfu Asian Renaissance Faire enriches the experience, offering visitors a taste of the rich and diverse culinary traditions of Asia. The art of Hanfu fashion is a captivating blend of history, culture, and creativity, offering a window into the rich sartorial traditions of the Han Chinese. Hanfu fashion is defined by its distinctive design elements, including loose cross-collar robes, wide sleeves, and sash belts. These features allow for a free flow of movement while maintaining a dignified appearance, emphasizing the harmony, modesty, and elegance that are central to Confucian aesthetics. This ancient attire, characterized by its flowing robes and intricate designs, embodies the elegance and sophistication of Chinese civilization, reflecting the aesthetics, philosophy, and social values of the time. Each era brought its own distinct styles, colors, and materials, reflecting the societal changes of the time. Despite these evolutions, the core elements of Hanfu remained consistent, serving as a testament to its enduring legacy. The modern revival of Hanfu fashion has sparked a renaissance in traditional Chinese clothing, inspiring designers to incorporate Hanfu elements into contemporary fashion. Throughout history, Hanfu has undergone various transformations, influenced by the different dynasties that ruled China. This fusion of old and new has created a dynamic and vibrant fashion scene, where traditional craftsmanship meets modern innovation. These events showcase the beauty and versatility of Hanfu, offering a unique opportunity to engage with the rich sartorial traditions of the Han Chinese and appreciate the artistry and craftsmanship that define this timeless attire. At the Hanfu Asian Renaissance Faire, visitors can explore the art of Hanfu fashion through fashion shows, exhibitions, chinese cheongsam dresses and workshops. By bringing together people from diverse backgrounds, the faire fosters cross-cultural appreciation and dialogue, highlighting the universal themes of beauty, creativity, and community. The Hanfu Asian Renaissance Faire plays a vital role in the preservation and promotion of cultural heritage, offering a platform for the celebration and exploration of traditional Asian arts, crafts, and customs. The revival of Hanfu and the celebration of Asian culture at the faire contribute to the preservation of cultural heritage by raising awareness and appreciation for traditional customs and practices. These efforts are essential in an increasingly globalized world, where cultural diversity and identity can often be overshadowed by modern influences. The faire also provides a platform for the transmission of traditional knowledge and skills, offering workshops and interactive exhibits that engage and educate visitors. In addition to preserving cultural heritage, the Hanfu Asian Renaissance Faire promotes cultural exchange and understanding, fostering connections between people from different cultures and backgrounds. These activities ensure that the rich artistic traditions of Asia are passed down to future generations, preserving the cultural heritage for years to come. By celebrating the diversity and richness of Asian culture, the faire contributes to a global dialogue about the importance of cultural preservation and appreciation. It invites participants to connect with the past, experience the present, and envision a future where cultural diversity and understanding are celebrated. The Hanfu Asian Renaissance Faire has gained global influence and popularity, attracting visitors from around the world who are eager to experience the beauty and richness of Asian culture. Overall, the impact of the Hanfu Asian Renaissance Faire on cultural heritage preservation is significant, offering a vibrant and engaging platform for exploration and discovery. This international appeal highlights the universal themes of creativity, community, and cultural expression that are central to the faire, inviting people from diverse backgrounds to come together and celebrate their shared humanity. The global popularity of the Hanfu Asian Renaissance Faire can be attributed to several factors, including the growing interest in cultural heritage and traditional arts, as well as the rise of social media platforms that have amplified the reach and visibility of the event. These platforms have allowed enthusiasts to share their passion for Hanfu and Asian culture with a global audience, inspiring others to explore and appreciate the rich traditions of Asia. In addition to its global reach, the Hanfu Asian Renaissance Faire has also inspired similar events in other countries, fostering a sense of connection and collaboration between cultural communities worldwide. These events promote cross-cultural exchange and understanding, highlighting the importance of cultural diversity and appreciation in an increasingly interconnected world. It invites participants to explore their own cultural heritage and contribute to a shared future of understanding and respect, celebrating the universal themes of creativity, community, and cultural expression. The Hanfu Asian Renaissance Faire offers a wealth of educational opportunities and learning experiences, providing a dynamic platform for exploration and discovery. The international appeal of the Hanfu Asian Renaissance Faire underscores the enduring power of culture to connect and inspire, offering a window into the rich artistic and cultural traditions of Asia. One of the key educational opportunities at the faire is the variety of workshops and interactive exhibits that provide hands-on learning experiences. These activities offer visitors a chance to explore traditional Asian arts, crafts, and customs, cheongsam red dress gaining new skills and insights into the rich artistic traditions that have shaped Asia’s history. These activities are designed to engage visitors of all ages, offering a rich tapestry of experiences that celebrate the diversity and depth of Asian culture. In addition to workshops and exhibits, the faire also offers educational programs and lectures that delve into the history, philosophy, and cultural significance of Hanfu and other traditional Asian practices. These programs provide a deeper understanding of the cultural heritage of Asia, highlighting the universal themes of creativity, community, and cultural expression that are central to the faire. They invite participants to connect with the past, experience the present, and envision a future where cultural diversity and understanding are celebrated. The future of Hanfu and renaissance faires is bright, with a growing interest in cultural heritage and traditional arts driving the resurgence of these events worldwide. The educational opportunities and learning experiences at the Hanfu Asian Renaissance Faire are designed to inspire and engage visitors, offering a vibrant and engaging platform for exploration and discovery. The modern revival of Hanfu and the celebration of Asian culture at renaissance faires offer a unique platform for cultural exchange and understanding, fostering connections between people from diverse backgrounds. As more people seek to reconnect with their cultural roots and explore the rich artistic traditions of the past, the popularity of Hanfu and renaissance faires is expected to continue growing. The future of Hanfu and renaissance faires also holds exciting possibilities for innovation and creativity, with designers and artists incorporating traditional elements into contemporary fashion and art. These events promote cross-cultural appreciation and dialogue, highlighting the importance of cultural diversity and appreciation in an increasingly interconnected world. This fusion of old and new offers a dynamic and vibrant cultural scene, where traditional craftsmanship meets modern innovation. As Hanfu and renaissance faires continue to evolve and grow, they offer a window into the rich artistic and cultural traditions of the past, inviting participants to explore their own cultural heritage and contribute to a shared future of understanding and respect. Q1: What is the Hanfu Asian Renaissance Faire? A1: The Hanfu Asian Renaissance Faire is an event that celebrates the resurgence of Hanfu, the traditional attire of the Han Chinese, within the context of a renaissance fair setting. It features a variety of activities, performances, and interactive experiences that explore the rich tapestry of Asian culture, history, and traditions. Q2: What activities can I expect at the Hanfu Asian Renaissance Faire? A2: The faire offers a diverse range of activities, including traditional games, crafts, and performances. These events celebrate the universal themes of creativity, community, and cultural expression, offering a vibrant and engaging platform for exploration and discovery. Q3: Is the Hanfu Asian Renaissance Faire suitable for all ages? A3: Yes, the faire is designed to engage visitors of all ages, offering a rich tapestry of experiences that celebrate the diversity and depth of Asian culture. Visitors can participate in workshops and interactive exhibits, sample traditional Asian cuisine, and enjoy performances such as Chinese opera, dance, chinese traditional men’s clothing and music. There are activities and performances suitable for children, families, and adults alike. Q4: How can I learn more about Hanfu and its significance? A4: The Hanfu Asian Renaissance Faire offers educational programs and lectures that delve into the history, philosophy, and cultural significance of Hanfu. Additionally, workshops and interactive exhibits provide hands-on learning experiences, allowing visitors to explore the artistry and craftsmanship of this traditional attire. Q5: Can I wear Hanfu to the faire? A5: Absolutely! Attendees are encouraged to wear Hanfu, creating a visually stunning atmosphere that honors the past while celebrating the present. The faire provides an opportunity for participants to embody the grace and dignity of ancient Chinese civilization. Q6: How can I get involved with the Hanfu movement? A6: You can get involved with the Hanfu movement by joining Hanfu societies or organizations dedicated to promoting and educating people about this cultural treasure. These groups often organize events, workshops, and exhibitions, providing platforms for enthusiasts to connect and share their passion for Hanfu. Through its diverse range of activities, performances, and interactive experiences, the faire invites participants to step into a world where tradition and innovation coexist, fostering a deeper understanding of the rich cultural heritage of Asia. The Hanfu Asian Renaissance Faire is a vibrant celebration of culture, history, and community, offering a unique platform for the exploration and appreciation of traditional Asian arts, crafts, and customs. They highlight the universal themes of creativity, community, and cultural expression, offering a vibrant and engaging platform for exploration and discovery. As the popularity of Hanfu and renaissance faires continues to grow, these events offer a window into the past, inviting people from diverse backgrounds to come together and celebrate their shared humanity. The Hanfu Asian Renaissance Faire is more than just a celebration of traditional attire; it is a testament to the enduring power of culture to connect and inspire. By embracing the beauty and richness of Asian culture, the faire contributes to a global dialogue about the importance of cultural diversity and appreciation, inviting participants to explore their own cultural heritage and contribute to a shared future of understanding and respect. When it comes to sculpting a well-defined chest, the cable fly is an indispensable exercise in any workout regimen. The term “financial dominatrix” may conjure up images of power, control, and financial transactions that defy traditional norms. 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The hanfu distinguishes itself from other clothes with its characteristic shape. It offers almost everything you need to dress from head to toe. The Yī or 衣: This is the top, it is a tunic that covers the bust with long sleeves tightened at the wrists. It assembles several pieces and layers of fabric to form an entire traditional Chinese costume. The Chang or 裳: this is the bottom, a narrow maxi skirt that stops at the ankles. The jacket has a cross collar (交領, jiāolǐng) and closes with a flap of fabric on the side (右衽, yòurèn). The Bixi or 蔽膝 in Chinese: this is a kind of romper, a piece of fabric reaching the knees and worn under the rest. It is tied around the waist or around the bust to maintain the whole. In addition to all this, the hanfu has a strip of fabric, a large ribbon that acts as a belt. This is for the traditional Chinese costume. Over the years it has evolved: textiles and length, some are reserved for festivities and special occasions, but let’s see it in more detail. Today’s hanfu offer many variations while respecting the customs of their ancestors. They are often colorful, with bright or lighter shades. On the side of the cut the hanfu also offers a wide choice, but it remains loose and fluid. White shirt and turquoise change, golden blouse and long brown dress, blue, red, green, the panel is almost infinite. Some are composed of two pieces, and others of three or more. The petticoat or rather the long dress can be provided with straps, a dress that is worn a bit like an apron. The hanfu has long sleeves or flared sleeves in general, but more rarely it is possible to find models with short sleeves or without sleeves. Some have a train, more or less important. It can be provided with a bodice with ribbons, a cape or sold with a shawl for example. It takes care to bring out the Asian elegance and immediately evokes us the country of the Forbidden City. As far as ornaments are concerned, the Chinese hanfu can rely on prints and embroidery. The traditional garment worthy of haute couture is made with a noble fabric like silk, linen or cotton. Delicate and folkloric, the Hanfu also leaves the choice of material. These fabrics are sometimes combined with synthetic fibers such as polyester, viscose or spandex to give the suit some elasticity and added strength. Moreover, our collection of hanfu gathers exceptional specimens. Either way, hanfu always provides an ultra-fluid texture, a wispy, breathable, fluttering and floating fabric, with it it’s comfortable and casual wear guaranteed! Each piece is hand-sewn with the know-how of Chinese craftsmanship. They are all chosen for their quality and splendor. The sourcing is done by teams of top designers, pattern makers, seamstresses and costume makers. All the clothes we offer are authentic and are directly imported from China. Although it can be worn on a daily basis, it is the most important garment for the most important celebrations and ceremonies in China. Before conquering all the countries of the world, the hanfu has occupied and still occupies a great place in the Chinese culture. It is worn by dancers during folkloric shows. Beijing, Shanghai, Hong Kong, it is omnipresent in the brooms and parades that attract tourists from all over the world. Hanfu is also worn at weddings, where young girls and married women wear it in red. For these special occasions and festivities where hanfu is worn, the appearance must be perfect. The hair has to be styled and decorated with brooches, ribbons or even chopsticks. Finally, the jewelry sets complete the oriental look. Next to that, fans bring their exotic touches, while shawls and scarves accompany the movements of a folkloric dance. Hanfu is not the only Chinese classic. Like the Arab world with the caftan or the djellaba, China has many traditional dresses. There is the qipao dress, a very elegant traditional dress, very refined and perfect as an evening dress. There is also the Tangzhuang, a mandarin suit or rather a jacket for men with a mao collar and Brandenburg buttons. The Hanfu, like the Indian sari, has inspired other traditional Asian fashion pieces over the years. After all, given the beauty and charm of the hanfu, why deprive yourself of it? One thinks of the kosode, the first name of the Japanese kimono, the Mongolian deel, the Korean hanbok and the “Ao Dai”, the traditional Vietnamese dress. If you want to complete your hanfu wonderfully, our collection of Chinese jacket for women should interest you. You will find a wide range available by clicking directly on the link. It has served different tribes, it has been there for thousands of years, it is a bit like the great wall of China, but for the wardrobe. The hanfu is a room full of history. Ready to go? Let’s go for a little trip in ancient China. We’re going to take a closer look at it, from its birth, to its democratization, passing through the greatest dynasties. It would have been invented by the Yellow Emperor, whereas his wife, the empress Leizu, discovered the breeding of the silkworm in the same time. According to historians’ estimates, the Hanfu has about 3500 years of existence. Two innovations linked and inseparable from each other to offer an elegant and sophisticated outfit. All this in a luxurious fabric, velvety, chic and light at the same time. A little later, the heir of the ancient Huaxia ethnic group became Han dynasty around 206 BC democratizes it for good. The Han people who constitute the majority of the Chinese people export it from province to province. Thanks to that, Hanfu conquered almost all the People’s Republic of China, or imperial China to be exact. It then served as an example for other Asian countries and various civilizations. In between, around 1045 and 771 BC, during the reign of the Western Zhou dynasty on the Hao side, fashion codes change, clothing style and appearance become paramount. At that time, the Hanfu was mainly worn by the imperial class, the bourgeoisie and the emperors. It shows a certain social status. Around 770 B.C. under the Eastern Zhou dynasty on the Luoyi side, the “shenyi” made its appearance. The more important the person is, the more the costume is decorated: embroidery, happiness knot, panchang, sapèque. The “shenyi” which is literally translated by “wrapping the body deeply in the clothes” takes the features of the traditional hanfu. Its upper part is woven with four sections of fabric equivalent to the four seasons. It gathers the jacket and the bottom in one piece to form a deep, loose dress, similar to a Japanese kimono. The lower part is divided into twelve textile segments corresponding to the various months of the year. A modernized version, but just as elegant. Depending on the period, the emperor or the culture, some elements appeared, others disappeared and then returned. The hanfu has been constantly modified over the centuries. Despite these differences, Hanfu has always remained a strong symbol in China where it represents the pure Mandarin spirit. Since its birth and popularization by the Hans, it has been adored and worn by other ethnic groups and under all dynasties: Yuan, Qin, Ming Dynasty, Shang Dynasty, Liao and many more.

Hi, thanks for the question, and sorry for taking ages to reply! The term “hanfu” (traditional Chinese: 漢服, simplified Chinese: 汉服) literally means “Han clothing”, and refers to the traditional clothing of the Han Chinese people. As I explained in this post, the modern meaning of “hanfu” is defined by the hanfu revival movement and community. “Han” (漢/汉) here refers to the Han Chinese ethnic group (not the Han dynasty), and “fu” (服) means “clothing”. As such, there is a lot of gatekeeping by the community around what is or isn’t hanfu (based on historical circumstances, cultural influences, tailoring & construction, etc). However, this also led to the need for a similarly short, catchy term that would include all Chinese clothing that didn’t fit the modern definition of hanfu – enter huafu. This isn’t a bad thing – in fact, I think gatekeeping to a certain extent is helpful and necessary when it comes to reviving and defining historical/traditional clothing. “Hua” (華/华) refers to the Chinese people (中华民族/zhonghua minzu), and again “fu” (服) means “clothing”. The term “huafu” (traditional Chinese: 華服, simplified Chinese: 华服) as it is used today has a broader definition than hanfu. It is an umbrella term for all clothing that is related to Chinese history and/or culture. Thus all hanfu is huafu, but not all huafu is hanfu. I wrote about whether Qing dynasty clothing can be considered hanfu here. Tangzhuang, which is an updated form of the Qing magua popularized in 2001, can also fit into this category. 1. Most fashions that originated during the Qing dynasty (1644-1911), especially late Qing, including the Qing aoqun & aoku for women, and the Qing changshan and magua for men. 2. Fashions that originated during the Republican era/minguo (1912-1949), including the minguo aoqun & aoku and qipao/cheongsam for women, and the minguo changshan for men (the male equivalent of the women’s qipao). I wrote about why qipao isn’t considered hanfu here. Below – Xiangsheng (crosstalk) performers Zhang Yunlei (left) & Guo Qilin (right) in minguo-style men’s changshan (x). Below – minguo aoqun (left) & qipao (right) from 嬉姷. Changshan is also known as changpao and dagua. 3. Qungua/裙褂 and xiuhefu/秀禾服, two types of Chinese wedding garments for brides that are commonly worn today. Qungua originated in the 18th century during the Qing dynasty, and xiuhefu is a modern recreation of Qing wedding dress popularized in 2001 (x). Below – left: qungua (x), right: xiuhefu (x). 4. Modified hanfu (改良汉服/gailiang hanfu) and hanyuansu/汉元素 (hanfu-inspired fashion), which do not fit in the orthodox view of hanfu. From the very start of the hanfu movement, there’s been debate between hanfu “traditionalists” and “reformists”, with most members being somewhere in the middle, and this discussion continues today. Hanfu mixed with sartorial elements of other cultures also fit into this category (e.g. hanfu lolita). 5. Performance costumes, such as Chinese opera costumes (戏服/xifu) and Chinese dance costumes. Below – hanyuansu outfits from 川黛 (left) and 远山乔 (right). Dance costumes, in particular, may have non-traditional alterations to make the garment easier to dance in. These costumes may or may not be considered hanfu depending on the specific style. Dunhuang-style feitian (apsara) costumes, which I wrote about here, can also fit into this category. Below – left: Chinese opera costume (x), right: Chinese dance costume (x). Chinese period drama costumes are of course based on hanfu, and may be considered hanfu if they are historically accurate enough. However, as I wrote about here, a lot of the time there are stylistic inaccuracies (some accidental, some intentional) that have become popularized and standardized over time (though this does seem to be improving in recent years). 6. Period drama costumes and fantasy costumes in popular media (live-action & animation, games, etc.), commonly referred to as guzhuang/古装 (lit. This is especially prevalent in the wuxia and xianxia genres. Similarly, animated shows & games often have characters dressed in “fantasy hanfu” that are essentially hanfu with stylistic modifications. Below – left: Princess Taiping in historical cdrama 大明宫词/Palace of Desire (x), right: Wei Wuxian and Lan Wangji in wuxia/xianxia cdrama 陈情令/The Untamed (x). Chinese fashion brand Heaven Gaia is a well-known example of this. 7. Any clothing in general that purposefully utilizes Chinese style elements (embroidery, fabrics, patterns, motifs, etc). Below – Chinese-inspired designs by Heaven Gaia (x). 1. Some large-scale events to promote Chinese clothing, such as the annual “华服日/Huafu Day”, will use “huafu” in their name for inclusivity. 8. Technically, the clothing of China’s ethnic minorities also fit under the broad definition of huafu, but it’s rarely ever used in this way. 2. For the same reason as above, Chinese clothing including hanfu will often be referred to as “huafu” on network television programs (ex: variety shows). 3. A few Chinese clothing shops on Taobao use “huafu” in their shop name. 明镜华服/Mingjing Huafu – sells hanfu & hanyuansu. 花神妙华服/Huashenmiao Huafu – sells Qing dynasty-style clothing. With the exception of the above, “huafu” is still very rarely used, especially compared to “hanfu”. It has such a broad definition that it’s just not needed in situations for which a more precise term already exists. However, I do think it’s useful as a short catch-all term for Chinese clothing that isn’t limited to the currently accepted definition of hanfu.

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While Hanfu is the ‘woke/vogue’ Chinese idea of a traditional dress, Cheongsam is the conventional idea of one. Somewhere between these two, lies the missing link of the late Qing dynasty/early Republican Han women fashion like the invisible middle child. So I’ve introduced the Manchurian Qing dressing with all its hair, accessories and hierarchies, which is what 90% of us are familiar with through TV series and of course the latest craze Yanxi Palace and Legend of Ruyi. For men, there’s no difference between the Manchurian and Han Chinese because it was the law for all to convert their way of dressing to the Manchurian style. Since most TV shows are more obsessed with the royalties and imperial family, naturally not much is shown on the Han Chinese dressing even though they form the majority. This was supposed to be for the women and children as well, but rumour had it that during the implementation process, the Han Chinese felt very strongly about their traditional way of dressing as part of their cultural identity (and rightfully so), that they had several bloodshed protests! As such, the Han Chinese women had different sartorial choices from the Manchurian women, and they continued binding their feet according to their own/parents’ aesthetic beliefs while Manchurian women were forbidden to do so by law even though they were drawn to such aesthetics at some point. Women’s body were and are never our own it seems, and how we wish to treat our body has all along been politicised and moralised by society and the ruling class. Eventually, there was an unspoken agreement that the men had to adopt (the Manchurians probably felt that once you emasculate the Han Chinese men with their cultural identity, you controlled the women and children naturally anyway), but left the women and children (and a few other exceptions) alone. Eurocentric scholars and writers at the turn of last century liked to dismiss the Chinese as devoid of fashion, as if Chinese women were so oppressed by their rulers and system that they were accorded with little means nor awareness of beauty and dressing up. Chinese dress from dynasty to dynasty… Scarcely changed in the course of centuries, but then Chinese society itself scarcely moved at all. Chinese family of the Classical age. In reality, all these quotes were really fashion historian’s equivalent of saying “All Asians look the same”-All Chinese dresses look the same. The Eurocentric Chinese novelist Eileen Chang also lamented in 1943 that “Generation after generation of women wore the same sorts of clothes without feeling in the least perturbed.” Yikes. But they’re not alone in that view. Because a Chinese literati said so, it must be right? I’m not comfortable with that assumption. Were there just the same old Hanfu vs the new Cheongsam, these 2 types of existence and form? Or that the type of change that is more visually apparent is more valuable/legit than the subtle, fine and nuanced change? Would you assume that quantitative change is more important than qualitative change? To me, it is really the difference in culture. And it struck me the Western eyes or the Modern eyes were so overstimulated by their own visual differences that they were unable to appreciate or identify the subtlties in the Chinese or Japanese culture. Just the other day, I was reading our friend Eustacia’s post on the different types of Kimono and what to wear for various occasions. And which also explains the success of designers like Guo Pei in capturing their attention with the loud and archetypically Chinese designs. Fashion, to the ancient Chinese, was more of an exercise of artistic creativity within the appropriate boundaries that ensure that they adhere to the changing seasons, occasions, chinese hanfu dress and hierarchies. Constraints are necessary to create meaningful and artful end products. A large part of this could be due to Chinese women’s training in embroidery. And that, was what the ancient Chinese women were really capable of as they innovated on the types of weaving, motif, embroidery, dyeing techniques, decorative methods of the dresses. If you look unclose at any of the apparels, you would realise that instead of just clothes, they were really works of art. Images really don’t do them justice-I just went to the Sun Yat-Sen Nanyang Memorial Hall to see actual pieces and you could really see how intricate the needleworks were, and how each of those dots in black in the images below were made up of hundreds of strands of silk, and which went through hundreds if not thousands of manhours to be extracted, spung, dyed, designed, and finally emboidered in accordance to considerations like occasion, hierarchy, season, aspirations and symbolic meanings. Just like kimono. And while the form remained similar, the embroidery work, colour matching, even the direction of the thread made a lot of difference. I know I’m very Asian in my consumption of fashion when I buy all the different colours of the same design if I really liked it, because even just a change in colour, meant a big change for me, especially if it’s the design I like. Quality over Quantity, anytime. Whereas I wouldn’t look twice at an ‘ugly’ design even if there were 1,000,000 dramatic variations of that design. I went to the Modern Women of The Republic: Fashion and Change in China and Singapore exhibition today, at the Sun Yat Sen Nanyang Memorial Hall in Singapore (not Taiwan!). All so effortlessly elegant. If you ever get to see them in person, do take note of the size of the forbidden knot/stitch, the uniformity of them all, and also the uniformity of the spacing between the knots, and the gradient of colours in the flowers and leaves. My companion asked me why was it called the Forbidden Knot/Stitch. This romanticised name is given by western marketeers/sellers of Chinese goods to link it to the Orient/Forbidden city (sounds exotic right?) and, to make this craft sound really exclusive for the luxury market- claiming that because it would make embroiders blind with the tiny knots and details (sounds like they could command a super high price with this), it was forbidden in China by orders of the imperial court. But it’s nonsense. You can still go blind from doing many of the other embroidery works if done in poor lighting and the emperor wouldn’t care less!

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Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. Hanfu (simplified Chinese : 汉服; traditional Chinese : 漢服; pinyin : Hànfú, modern wedding qipao lit. Han Chinese since the 2nd millennium BCE. Hanfu is the historical dress of the Han people for all of history before the Qing Dynasty, when the Manchus reigned. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. Learn about the features, origin, evolution, and influence of Hanfu, and how it was outlawed and revived in modern times. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. Learn about the history, styles, significance, and revival of Hanfu, the traditional clothing of the Han ethnic group in China. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. Explore how to wear Hanfu, its accessories, festivals, events, and influences in fashion and design. It is a term used to describe the traditional clothes worn by the Han people. Hanfu (漢服) literally means Chinese Han people’s clothing. Hanfu (漢服) or Huafu (華服) ? Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. It’s characterized by flowing robes, wide sleeves, and intricate patterns. Unlike the more commonly known qipao, Hanfu has a richer, older history that represents different dynasties and social classes. Hanfu (汉服) refers to the traditional clothing worn by Han Chinese for over 4,000 years. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. It embodies the unique charm and essence of the Han nationality, captivating people with its grace and splendor. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. Hanfu, an abbreviation for “Han ethnic clothing,” is a time-honored traditional attire that holds a significant place in Chinese history and culture. Learn about the history, structure, and occasions of Hanfu, the ancient Chinese garment that reflects cultural heritage and aesthetic elegance. Explore the typical styles, categories, and variations of Hanfu across different dynasties and social statuses. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. There are three main styles of Hanfu: the jacket and shirt, one piece dress, or jacket and trousers. Later robes became the customary costume, but the jacket and skirt were women’s favourites. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. Hanfu is a long flowing robe with loose sleeves and a cinched waist worn with a decorative belt sash with a Jade or a purse attached to it. Hanfu is a very strong symbol of authentic Chinese culture, which was inspired by Confucian scholars. Prévisualisez les sites directement depuis notre page de résultats de recherche tout en gardant votre visite complètement anonyme. The basic type is the jacket and skirt. Hanfu clothing, also known as “Han Chinese clothing,” refers to the traditional attire worn by the Han ethnic majority in China. This exquisite fashion style dates back thousands of years and has experienced various transformations throughout history.

Undoubtedly, China has undergone dramatic changes over the past 30 years. In this blog, I’d like to briefly discuss and compare the history of two traditional outfits in China, cheongsam lingerie aka Hanfu and Qipao. The changes are extreme and can be discovered in many fields, for example, the changes in day to day clothing. Hanfu refers to the traditional historical dress of Chinese HAN people, which is still the major ethnic group of today’s China. When it reached the Shang dynasty, Hanfu has already popularly wore across the nation. According to existing documentary Hanfu was first developed by Huang Di (Yellow Empire), the first empire of China. Back then one person’s appearance can already tell what social status he held. The outfit was unisex and the colors of the Hanfu’s were merely basic primary colors like red, yellow, and blue. Historically, Han Clothing has influenced many of its neighbouring cultural costumes, hence, many Asian countries’ traditional costume were actually designed based on the concept of how Hanfu looked, for instance, Japanese Kimono, and the Vietnamnese áo tứ thân. Elements of Hanfu have also been influenced by neighbouring cultural costumes, especially by the nomadic peoples to the north, and Central Asian cultures to the west by way of the Silk Road. Many people today cannot distinguish the difference between Chinese Hanfu and Japanese Kimono. After thousand of years of wearing Hanfu, Chinese people were forced to shift to change their official clothing. It’s because Kimono is a development of Hanfu. One of the policies was to change their national costume, therefore, chinese traditional wedding clothes Qipao has become the official Chinese costume since the 17th century. Qing Dynasty when the Emperors were not race of Han, but the Manchuria, the federal government established lots of rules to prevent rebel from Han people. It covered all of a woman’s body except for her head, hands, and toes. The Qipao worn today are modeled after ones made in Shanghai in the 1920s. The modern qipao is a one-piece, formfitting, floor length dress that has a high slit on one or both sides. Traditionally, Qipao was very wide and baggy which is a one-piece dress featured a high neck and straight skirt. Modern variations may have bell sleeves or be sleeveless and are made out of a variety of fabrics. Although Qipao is not the original traditional costume of China, but it now has a significant role to play in World fashion as many Chinese movie star has worn Qipao to attend Oscars and other big events around thw world. Therefore, it is safe to say that Qipao is better know than Hanfu in the world.

One aspect of Chinese that is different is its use of tones. The first tone ¯ has a high pitch. Some dialects of Chinese have up to nine tones, while Mandarin has only four. The third ˇ dips low than rises unless it comes before another third tone (in which case it is pronounced as a second tone), OR if a third tone comes before another one (in which case it starts mid and goes down). The second tone ´ rises from mid to high. A neutral fifth tone is unstressed and unmarked. Chinese writing is not phonetic, so no real alphabet exists. The fourth ˋ starts high and falls low. Characters (hanzi) that express words exist. There are other methods, like Wade-Giles (which is older). As the world’s fourth-largest country (after Russia, Canada, and the U.S.) China lies largely at the same latitudes as the United States. Just like the U.S., the climate in China varies widely. Spelling out the Chinese sounds, as it’s done on this site, is called Pinyin. Rainfall occurs mainly in the southeast; the northwest contains the third largest desert in the world (Gobi Desert). The north has a subarctic climate and the south has a tropical climate. The Chinese New Year is the most important of the holidays. It is celebrated on the last day of the year with fireworks and family reunions. The festivities continue into the next day where they celebrate the Spring Festival with even more fireworks. The Lantern Festival is celebrated on the fifteenth day of the first lunar month with a parade of lanterns and a lion dance. The Dragon Goat Festival (Tun Ng) is on the fifth day of the fifth month and, of course, has dragon boat races. The Zhonghe Festival is on the second day of the second lunar month, sand they celebrate it by eating Chinese fajitas. The Spirit Festival is on the fifteenth day of the seventh month (a week after the Night of Sevens). The Night of Sevens (Qi Xi) is on the seventh day of the seventh month, the only night that the goddess, Zhi Nu, can meet her mortal love, Niu Lang. The Chinese burn paper “money” as offerings to their ancestors. On the ninth day of the ninth lunar month they celebrate the Double Ninth Festival as a sort of second memorial day. The Winter Solstice Festival is celebrated on the day of winter solstice and is known as teh Chinese Thanksgiving.. The Laba Festival is on the eighth day of the last lunar month and is celebrated as the day the Buddha attained enlightenment. Martial arts were originated in China, starting with Wushu (and renamed Kung Fu). Martial arts were originally just a method to train men for combat, but over time has become a way for people to become mentally centered and balanced, and even for healing (including acupuncture and herbology). The Book of Songs, and Confucius influenced music and poetry. It is the home to the well-respected Shaolin Monastery and Wudang Mountains. Chinese opera would also be introduced and branched regionally in additional to other performance formats such as variety arts. Chinese music started with solely percussion instruments and eventually added string and reed instruments. Chinese paintings have a variety of styles of brush art and calligraphy (similar to the Japanese). Porcelain pottery has been a traditional art form in China for several thousands of years. The Communist Party of China continues to dominate the People’s Republic of China. Currently, the government is organized with: the National People’s Congress, the President, and the State Council. Papercutting and folding (origami) is an art form that originated with the Chinese after the invention of paper. It meets yearly for 2 weeks to approve new policy, laws, and the budget. The Constitution of the People’s Republic of China places the Congress with the highest state power. National legislation in China is adopted by the Standing Committee of the National People’s Congress, and initiatives are presented to this Committee by the State Council. China has had border disputes given its size for thousands of years and continues to do so. For example, one resolved with Russia as recently as 2004. China has current disputes with India and Japan. China does not permit dual national citizenships. Some of the most recognized spiritual figures include Guan Yin, Jade Emperor and Budai. Congress generally approves State Council policy and personnel recommendations, though its Standing Committee has increasingly asserted its role as the national legislature. The chinese believe in both the holy and the evil, fortune telling, and that health is directly related to the environment and spiritual health. Historically, doctors were paid to keep their village healthy, and were not paid when someone was sick (at least until the people were tired of hearing that evil spirits were to blame). Today, temples throughout China host a variety of religions including: Buddhism, Daoism, Heaven worship, Islam, and Chinese folk religion. The chinese historically used hats to display position, and may have been the originators of the style of hat worn at school graduations. Chinese cuisine is well-known for its rice dishes, eggplant, tofu, vegetable stir-fry, egg-drop soup, Kung Pao chicken, Mu sho pork, chop-seuy, chow mein, and fortune cookies. Hanfu, or traditional chinese dress is similar to the Japanese Kimodo (which may have been inspired by the hanfu). The chinese make use of leafy vegetables like bok choy and gai-lan and typically include fresh meat or seafood, which makes for its pungency. Mandarin Chinese is the most popular language in China, and by population it is the most spoken language in the world. Next to Japanese, Chinese is the most difficult of the languages to learn that are on this site. Several other languages are spoken in China like Manchurian, Mongolian, Uyghur, Tibetan, Yi, and Zhuang. There are several sublanguages as well: Gan, Huainan, Jin, Kejia or Hakka, Min, Pinghua, Tiawanese, Wu or Shanghaiese, Xiang or Hunanese, and Yue or Cantonese. Pan-frying, stir-frying, and deep-frying are common cooking techniques often done using a pan, called a wok. There are over 1000 dialects in China to coincide with the thousands of regions within China. For example, each of these sublanguages will have several dialects of their own, and some may have over forty subdialects.

Hanfu is the Chinese traditional national costume. It covers a wide range of time. Chinese traditional traditional chinese clothing for men national costume.

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